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The Collective for Radical Death Studies
About
Partnerships
Our Mission
Who we are
Events
Contact
Día de Muertos
Dia De Muertos
Dia De Muertos Ofrenda 2024
Dia De Muertos Ofrenda 2023
Rad Death Reads
Rad Death Reads
Indigenous Theories of Haunting & Mourning
American Indian Horror Story
Q&A Dr. Donald Joralemon
NEDA Sponsored Rad Death Reads
CRDS Canon
A-Z
Genre
Women & End of Life
Queer Death
Culture / Ethnicity
Mesoamerican, Mexican & Mestizan Deathways
African / Diasphoric Deathways
Colonialism / Mass Death
Blog
CRDS Blog
Field Notes
Donate
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Indigenous Theories of Haunting & Mourning
American Indian Horror Story
Q&A Dr. Donald Joralemon
NEDA Sponsored Rad Death Reads
Folder: CRDS Canon
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  • “Agents and Objects of Death: Gay Murder, Boyfriend Twins, and Queer of Color Negativity” by Bobby Benedicto (A Journal of Lesbian and Gay Studies)

  • “An American Death in Bangkok: The Murder of Darrell Berrigan and the Hybrid Origins of Gay Identity in 1960s Thailand” (A Journal of Lesbian and Gay Studies, 1999)

  • “Angels in America” by Tony Kushner (stage play)

  • Angels in America (2003)

  • Extermination of the Joyas: Gendercide in Spanish California by Deborah Miranda (A Journal of Lesbian and Gay Studies, 2010)

  • “Imagining Queer Life After Death” (A Journal of Lesbian and Gay Studies, 2018)

  • LGBTQ-Inclusive Hospice and Palliative Care: A Practical Guide to Transforming Professional Practice by Kimberly Acquaviva

  • NYC LGBT Historic Sites Project

  • “Paying Your Respects: Transgender Women and Detransitioning After Death” by Karol Kovalovich Weaver (Death Studies, 2018)

  • Queer Death Studies Network

  • Queer Necropolitics by Jin Haritaworn and Adi Kuntsman (co-editors)

  • “Queer Widowhood” by Nina Lykke (Lambda Nordica, 2015)

  • The Cancer Journals by Audre Lord

  • “Transgender and Gender Non-conforming Bereavement (TGNC): A Case Study on Complicated Grief Experienced and the Effect of Partner Suicide on Interpersonal Relationships and Subsequent Partnerships of the Bereaved” (Death Studies, 2019) by Rachael Nolan

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